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Une présentation de la vie et de l'oeuvre de Bruegel accompagnée d'une réflexion et une méditation sur la peinture, la beauté, lʹart, lʹécriture. ©Electre 2015
Bruegel, Pieter [Elder] --- Painters --- Painting, Flemish --- Peintres --- Peinture flamande --- Biography --- Biographies --- Bruegel, Pieter,
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Essai sur la peinture de la Renaissance en Flandre et aux Pays-Bas, au moment où les notions de tableau et d'artiste voient le jour, avec une esthétique dont le peintre est désormais le seul maître. Le tableau devient un miroir du monde et particulièrement le portrait, qui résout le conflit entre vieil idéalisme et nouveau réalisme, en les liant dans une vision où l'homme est à fois corps et âme.
Painting, Flemish --- Portrait painting --- Peinture flamande --- Peinture de portraits --- Themes, motives --- Thèmes, motifs --- Thèmes, motifs
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Quarante chefs-d'oeuvre comme vous ne les aviez encore jamais vus. Outre la reproduction intégrale de chaque tableau, des centaines d'illustrations pleine page zooment sur des détails choisis qui témoignent de la minutie et de la technique spectaculaires de leurs auteurs. Guidé par les commentaires éclairés de Till-Holger Borchert, découvrez les secrets des plus belles oeuvres de Van Eyck, Rogier van der Weyden, Hiëronymus Bosch, Pieter Brueghel l'Ancien, Peter Paul Rubens et bien d'autres grands maîtres flamands. Till-Holger Borchert propose ici un passionnant voyage à travers trois siècles de peinture flamande, en s'attardant sur les subtilités des tableaux et les traits distinctifs des peintres. Cet expert reconnu présente les artistes et les oeuvres en les replaçant dans leur contexte historique. Page après page, ce livre vous entraîne dans les plus grands musées d'Europe et vous invite à l'émerveillement.
Painting --- anno 1600-1699 --- anno 1400-1499 --- anno 1500-1599 --- Flanders --- Painting, Flemish --- Peinture flamande --- Primitifs flamands --- Pays-Bas méridionaux --- Peinture --- Peintres
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Art museums --- Painting, Spanish --- Painting, Italian --- Painting, Flemish --- Painting, European --- Art --- Peinture espagnole --- Peinture italienne --- Peinture flamande --- Peinture européenne --- Musées --- Museo del Prado.
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This book represents the first comprehensive study of all the fifteenth-century Flemish paintings in Los Angeles, including those in the J. Paul Getty Museum, the Los Angeles County Museum of Art, the Norton Simon Museum of Art (Pasadena) and the Henry E. Huntington Library and Art Gallery (San Marino). It examines well-known masterpieces by Dirk Bouts, Gerard David, and Hans Memling as well as little-known works, some published here for the first time. Using the latest advances in technical studies, including weave density maps, it reveals new insights. Beautifully designed and lavishly illustrated with numerous color illustrations, this volume joins a series of exhaustive studies of early Netherlandish paintings that was begun shortly after the second world war.
Painting --- anno 1400-1499 --- Flanders --- Painting, Flemish --- Peinture --- Peinture flamande --- Catalogs --- Catalogues --- Musées --- Histoire --- Museums --- California --- Los Angeles (Calif.) --- Painting [Flemish ] --- 16th century --- Criticism and interpretation --- 15th century --- Painting [Gothic ] --- Belgium --- Histoire. --- Catalogs.
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Présentation de l'histoire politique, économique, technique et artistique de la production picturale à Bruxelles, de la fin du XVe siècle au début du XVIe siècle, à la Cour des ducs de Bourgogne et dans leur entourage.
Painting, Flemish --- Peinture flamande --- Weyden, Rogier van der, --- Painting, Netherlandish --- Influence --- Exhibitions --- Van der Weyden, Rogier --- Painting [Gothic ] --- Belgium --- Brussels (Belgium) --- Christian art and symbolism --- 1450-1600 (Renaissance) --- Painting --- Painting, Flemish - Belgium - Brussels - 15th century - Exhibitions --- Painting, Flemish - Belgium - Brussels - 16th century - Exhibitions --- Painting, Netherlandish - Exhibitions --- Weyden, Rogier van der, - 1399 or 1400-1464 - Influence - Exhibitions --- Weyden, Rogier van der, - 1399 or 1400-1464
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Hommage de Catheline Périer-D'IeterenTextes français et allemand en vis-à-vis
Sculpture --- Painting --- altars [religious building fixtures] --- retables [altar appendages] --- Güstrow --- Altarpieces, Renaissance --- Altarpieces --- Sculpture, Flemish --- Painting, Flemish --- Christian art and symbolism --- Retables de la Renaissance --- Retables --- Sculpture flamande --- Peinture flamande --- Art et symbolisme chrétiens --- Conservation and restoration --- Conservation et restauration --- Painting, Renaissance --- Altarpieces, Flemish --- Borreman, Jan, --- --Pfarrkirche St. Marien (Güstrow, Germany) --- altars [religious fixtures] --- retables [altar appendage] --- Art et symbolisme chrétiens --- Germany --- Güstrow (Germany) --- History --- Pictorial works --- Painting, Renaissance - Germany - Güstrow --- Painting, Flemish - Germany - Güstrow --- Altarpieces, Renaissance - Germany - Güstrow --- Altarpieces, Flemish - Germany - Güstrow --- Christian art and symbolism - Germany - Güstrow --- Borreman, Jan, -- - active 1479-1520 --- Brabantse school
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This book challenges many of the assumptions about Jheronimus Bosch and Pieter Bruegel the Elder. The academic contest to unravel these two has never abated. What exactly is the meaning of their work is one of art history's blood sports. The answer lies in the cultural relationship between the artwork and its audience. Both artists demonstrate social, economic and political resonances in paintings that are numbingly familiar yet still poorly understood. There is social, religious, and political motivation in their art, an art that is frequently described in art historical isolation. For Bosch the image was a morality play about the paucity of good in a world teeming with evil monsters. For Bruegel it was frequently a reference to political events. Far from producing puzzle pictures they were assembling knowledge as part of a visual culture that was central to the life of society. It relates to the knowledge of the world at a particular time and two artists' experiences of it. It stretches from the sexuality and spirituality of Bosch to secular satisfaction in Bruegel at a time of social upheaval and a great turning point of world history, the beginning of the modern world and the end of the Middle Ages.
Painting --- Bosch, Jeroen --- Bruegel, Pieter [Elder] --- Painting, Dutch --- Painting, Flemish --- Peinture hollandaise --- Peinture flamande --- Bosch, Hieronymus, --- Bruegel, Pieter, --- Criticism and interpretation --- kunstgeschiedenis --- Bosch, Jheronimus --- Brueghel, Pieter (de Oude) --- 15de eeuw --- 16de eeuw --- 75 BOSCH, HIERONYMUS --- 75 BRUEGEL, PIETER --- 75 <491> --- Schilderkunst--BOSCH, HIERONYMUS --- Schilderkunst--BRUEGEL, PIETER --- Schilderkunst--?<491> --- 75 <491> Schilderkunst--?<491> --- 75 BRUEGEL, PIETER Schilderkunst--BRUEGEL, PIETER --- 75 BOSCH, HIERONYMUS Schilderkunst--BOSCH, HIERONYMUS --- Painting, Dutch - 16th century - Criticism and interpretation --- Painting, Flemish - Criticism and interpretation --- Bosch, Hieronymus, - -1516 - Criticism and interpretation --- Bruegel, Pieter, - approximately 1525-1569 - Criticism and interpretation --- Criticism and interpretation. --- kunstgeschiedenis. --- Bosch, Jheronimus. --- Bruegel, Pieter I. --- 15de eeuw. --- 16de eeuw. --- Vlaamse school --- Bosch, Hieronymus, - -1516 --- Bruegel, Pieter, - approximately 1525-1569 --- Bruegel, Pieter I
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